by Ghalib Al-Nasser
tell us that the first colour to be mutated from the original wild grass green budgerigar
and to be established was the light yellow (Black Eyed Self, as it is called in
Some mutations have disappeared following the evolvement of newer ones; the recessive grey, the recessive brownwing and the recessive form of lutino and albino have all been superseded.
In this article I shall concentrate on the budgerigars with red eyes; the sex-linked recessive Ino (lutino & albino), lacewing and the recessive fallows (English & German).
The Inos (Lutino & Albino)
||Fanciers have always had a
fascination for livestock possessing red eyes, and budgerigar fanciers are no exception.
When the first lutino, a clear yellow bird with a red eye, arrived in the 1870's it caused
a stir but that strain did not last long. One fancier from
Mr. Arthur recalls in his book "Budgerigars and Cockatiels" that he dropped two eggs, which were covered in excrement from the nest, in boiling water to clean them and, although not expecting them to hatch, replaced them into the nest. Hatch they did, and both were clear yellow with red eyes but the mutation was not established. Hundreds of experimental eggs dipped into hot water did not achieve the desired result in producing any more lutinos.
looks as if the albino was first to mutate and the lutino followed by the process of
combination. The albino first appeared in 1931 in the aviary of Herr E. Bohm of Bawerk,
Breeders of this variety have an uphill struggle in breeding quality birds while keeping the purity of colour. With lutinos one needs that rich buttercup yellow body colour as well as size. And the question is often asked by newcomers as to what is the best pairing to produce the best lutinos. To increase size one needs to dip in the big normal gene pool. To obtain the rich buttercup yellow one needs to use the medium and dark factor green birds as the essence is to avoid any green sheen appearing in the body as well as the cinnamon marking; two of the undesirable features that some of today's lutinos have. Using grey greens will dull the colour. With albinos, one needs that snow-white colour, free from any blue suffusion or cinnamon marking. Again, breeders of albinos will always recommend the use of greys in normal and opaline forms to increase the size of the albinos and avoid the blue sheen into the body colour.
The Budgerigar Society set the colour standards for both varieties together with guidelines for judges and exhibitors. For the lutino it requires the rich buttercup yellow for the mask, body colour, frontal, crown and wings while for the albino it is pure white throughout. The cheek patches for both inos should be silvery white. The B.S. guidelines set for both judges and exhibitors (Guideline 14 states and I quote The following deviations from the standard should be severely penalised: pale violet colour in cheek patches or cinnamon brown spots or markings on back, wings or tail. Lutino: there should be no green suffusion throughout. Albino: there should be no blue or grey suffusion throughout.
The B.S. scale of points for all varieties, and the inos are no exception, favours the size of the bird (including head and spots) and allocates a total of 60 points while the colour and variety markings will share the remaining 40 points. In the case of the lutino and albino the clarity and depth of colour is allocated 40 points so it is very important to breed both varieties to the desired depth of colour by using the best examples in both varieties.
there is a tremendous following all over the World for the beautiful lutino and to a
lesser degree its counterpart the albino. Both have achieved great heights on the show
The lacewing budgerigar is another mutation that has a similar appearance to the lutino and albino with the clear body colour of yellow (in the green series) or white (in the blue series) and having the red eye as well. Perhaps the interest in this variety is restricted in comparison to the two Ino varieties but still it has its appeal to many, including myself.
All the above varieties come from one and the same factor. This has the effect of eliminating the melanin of the black pigment in the feathers and even the eyes of the bird and therefore turning the bird from a green (or a blue) to a clear yellow (or white) with that red eye effect.
Although the lacewing variety is similar in appearance to that of the lutino and albino, the marking on cheeks, back of head, neck, wings and tail is of cinnamon brown. The cheek patches are of pale violet instead of silvery white in the Ino variety and they have well defined cinnamon brown throat spots. They have fleshy pink feet and the cocks also have a fleshy pink cere. Eyes are the same as the Inos; red with a white iris ring.
lacewing variety has been bred since 1948 in
The interest in this variety was revived again in Britain when, on a judging visit, the late Alf Ormerod and Brian Byles brought back examples of this variety from South Africa and bred them with a degree of success. The South African strain seemed to have much deeper and clearer markings and hence the appeal in them was greater. I obtained my initial lacewing in 1977 from the Byles strain and was reasonably successful with the variety, prior to my giving up bird keeping in 1979 for 3 years. In 1983 I obtained a quality pair from the late Alf Ormerod, which started me back with lacewings.
Like the Ino, the suffusion of green or blue in the body colour is an undesirable fault and only careful mating should be undertaken to avoid this suffusion.
Another area to consider is the deep cinnamon brown marking on the wings, mantle etc. There are two schools of thought on how to achieve that. One encourages the use of cinnamon birds as partners while the other encourages the use of normals. It can be said that the cinnamon will dilute the body colour including the wing marking. It is quite apparent that producing a quality lacewing with the correct marking is not an easy task and here lies the challenge. My preference is to outcross lacewings to normals only, without introducing other varieties into the equation.
Having said that, there has been scientific evidence through the work of Dr. Trevor Daniel in the early 1980's, stating that the lacewing is in fact a cinnamon Ino. He went about proving his theory by mating an Ino to a cinnamon and cross-mating youngsters, which eventually resulted in him producing a lacewing. This is due to the "crossover" of the genes because the cinnamon gene and the Ino gene are located very close to each other on the chromosome. However, many lacewing enthusiasts have disagreed with this theory, believing that the lacewing is a mutation in its own right.
The variety is sex-linked, like the Ino, and therefore hens cannot be split for lacewing while cocks can. Hens, because of the sex-linked recessive inheritance genetic theory, can only be either visual lacewing or non-lacewing.
The possible pairings with this variety when paired to non-lacewings (let us use the word "normal" for simplicity) are:
1) Lacewing cock x Lacewing Hen = 50% Lacewing cocks and 50% Lacewing hens
2) Lacewing cock x normal hen = 50% normal/Lacewing cocks and 50% Lacewing hens
3) Normal cock x Lacewing hen = 50% normal/Lacewing cocks and 50% normal hens
4) Normal/Lwing cock x Lwing hen = 25% Lacewing cocks, 25% normal/Lacewing cocks, 25% Lacewing hens and 25% normal hens
5) Normal/Lwing cock x normal hen = 25% normal cocks, 25% normal/Lacewing cocks, 25% Lacewing hens and 25% normal hens
This way we can easily find out what is the best pairing to produce the lacewing variety in numbers. It is also of importance to produce the variety to an exhibition standard regarding the size, shape and deportment of an exhibition Budgerigar combined with the deep body colour contrast and clarity and depth of the wing marking. A combination that is not easily achieved, but neither is it impossible. The Amos & Thumwood partnership achieved great heights with a lacewing yellow cock a few years ago when they won best in show at a championship show.
Like the Ino, suffusion of the green or blue in the body colour is an undesirable fault. One way of ensuring that this suffusion does not occur is the use of the grey factor birds (greys and grey greens). However, this has the undesirable effect of dulling the body colour if continually used. The aim is to produce lacewings with deep buttercup yellow and the use of dark factor birds as breeding partners will go a long way towards achieving that.
Regardless of what theory one chooses to accept, the lacewing is a beautiful variety that has its own place on the show bench. The lacewing needs to be exhibited in the Any Other Colour class at all shows apart from specialist & rare variety shows where they have their own class.
For all lacewing enthusiasts they should join the Rare Variety & Colour Budgerigar Society that caters for the lacewing as well as other varieties.
The other variety that posses the redeye is the recessive fallow.
Three characteristics are associated with this mutation; red or plum eyes, medium brown wing markings and diluted body colour. The feet are pinkish grey and the cere in cocks is fleshy pink. All markings on back of head and neck are of medium brown.
Over the years three different types of this mutation have been established; the English, German and Scottish fallow. The German fallow differs from the other two by having a white iris ring around the eye. The Scottish fallow seems to be very rare. It was found that when pairing the English to the German type, only black-eyed birds resulted that are split for both types. The German fallow was established in 1929 while the English was in 1937. It is quite possible that the Australian fallow (with the iris ring) may have been an indigenous mutation, which resembles the German strain.
Other claims as to the origin of this variety came about in 1931 from correspondence by Mrs. A.R. Hood of California, U.S.A. stating that she had bred from two pairs of green birds offspring fitting the coloration of the current fallows; yellowish green, cinnamon wing and tail marking and the deep red eyes.
Logically, Mrs. Hoods new mutation of birds with red eyes appearing in 1931 indicates that this mutation is recessive and must have occurred earlier on a half of a chromosome pair and been passed on to the green birds in the stock. We now know that when two birds carrying a new recessive colour are paired together then the actual new coloured bird will appear. This indicates that Mrs. Hoods new fallows must have appeared at the earliest in 1929. Sadly this strain was not followed through, as her initial fallows were sold to other breeders and records were lost.
Other recorded facts of this mutation appeared in 1929 at Herr
It is believed that a similar mutation also appeared in
The English mutation was established by 1937 in the aviary of F.
Records of the Scottish fallow (red eye without the iris ring)
are not that well documented. However, Ian Whiteside of Cumnock, Ayrshires recently
published article in the Scottish Journal traces the story of the Scottish fallow back to
the mid 1920s when the late Jim Moffats father came across this beautiful variety in
the aviary of a Mr. Coghill who was a bank manager in Nairn. Mr. Moffat Snr. obtained
examples of this variety from Mr. Coghill and bred with them successfully. Mr. Jim Moffat
carried on breeding those fallows after his father passed away. Mr. Whiteside bred a
fallow in 1986 from a pair of normal greens. On checking records it seems that the
bloodline goes back to Mr. Richie Kerr of
The name fallow was initially derived from the German word
Falben used initially to distinguish new mutations appearing in
The fallows can be produced in all other varieties but for exhibition purposes I feel that they should be restricted to the normal varieties. However, for beauty there is nothing to stop experimental breeders breeding recessive pied fallows or crested fallows for that matter. The production of the fallow will be like any of the recessive characters which acts as a simple "autosomal recessive gene" and the rules of their reproduction are as follows:-
1) Fallow X
2) Fallow X Normal/Fallow = 50% Fallow and 50% Normal/Fallow
3) Fallow X Fallow = 100% Fallow
Normal/Fallow X Normal/Fallow = 25% Fallow, 50% Normal/Fallow and 25%
Normal/Fallow X Normal = 50% Normal/Fallow and 50%
From the Table above, it can be deduced that there is absolutely no merit in the pairings indicated in rules 4 & 5. A lot of wastage is produced from these pairings and also it is not possible to distinguish the split fallow progeny from the Normals. However, if fallows of good size are to be produced, then pairing 4 might just about be the best. If good quality normals are initially used with fallows as outcrosses to produce the splits as in pairing 1, those quality splits can then be outcrossed back to fallows to produce quality fallows as in pairing 2 or better still using 2 splits together (invariably better quality than visual fallows) as in pairing 4 in the hope that the odd visual fallow produced will be of a better desirable quality. However, the normal black-eyed birds that are produced from pairing 4 can be either splits or normals but there are no visual characteristics to distinguish them from each other without future test pairing.
There are virtually no short cuts in trying to produce quality fallows apart from using quality normals as outcrosses, plenty of patience, dedication and luck. The Australian fallow, over the years, has been produced to such a good standard that I feel our British fanciers should follow suit. More help and assistance can be given by the Rare Variety & Colour B.S. to those who wish to breed fallows.
Sadly, there are not many examples of the variety seen at shows apart from those specialist & rare variety shows around the country (and the B.S. club show) where separate classes for both the English & German fallows are available. At all other shows the variety should be exhibited in the rare variety group catering for the clearbody, fallow, saddleback and slate and, from the 2006 show season, the rainbows will also be grouped in that section. Not many fallows are seen at other shows apart from those specialist & rare shows.
The body colour of the fallow increases in depth of shade progressively downwards from the upper breast to the rump area where the colour is the deepest. We have seen specimens of the cinnamon fallows when the cinnamon has been introduced into this variety. The effect of the cinnamon dilutes the body colour further and in some cases gives the appearance of a lacewing but with the plum red eye without the iris ring. These birds should be penalised on the show bench as they do not conform to the B.S. Colour Standards.
Copyright © Ghalib Al-Nasser 2006 all rights reserved.